Thornton Burgess Nature Stories
A year ago today, I was reading Cinnabar the One O’Clock Fox by Marguerite Henry with my daughter. We were in the middle of studying American History and what better way to fit in a nature story for “school” than to add it to your history lessons. George Washington’s crafty fox was a good excuse, especially in February as Washington’s birthday lands on the 22nd. This year, we’re studying ancient history again, and while Kiddo tackles Herodotus, I’ve been reading The Adventures of Reddy Fox by Thornton Burgess to my son. (What foxy title will I be reading next February, I wonder?)
Since last year, I had a baby, bought a new house, my mother died, my niblings came to stay for two months, and though we kept on schooling––as homeschoolers are apt to do––we needed some calm. Calm came in the form of Thornton Burgess, an old childhood favorite of mine.
I grew up on little pocket paperback two-for-one-dollar deals from good ol’ Wally World. Most of those now sit on my kids’ shelves, being enjoyed by the next generation of bibliophiles. Among those paperbacks were Thornton Burgess Bedtime Stories. Each little paperback following the tales of a new anthropomorphized character: The Adventures of Old Man Coyote and The Adventures of Prickly Porky, to name a few.
Imagine my glee when I found a Thornton Burgess Nature Stories, short tales from the Smiling Pool where Grandfather Toad spends his days. Thoughtful anecdotes that teach children about different kinds of birds and how they nest, through stories about mischievous rabbits trying to spot them. Eels with wonder lust, who find romance… These stories are the perfect medicine for children who have lost a grandmother, a breath of fresh air when it is too sweltering to go to the park, a cozy ray of sunshine when it’s actually the dead of winter. I am determined to collect them all and read every single one of them to my children, even after they have grown too old. They are simple, there is no mistaking them for great literary works. But they are beautiful. Sometimes we all just need a little more of what is beautiful.
If you haven’t read these little gems to your children or grandchildren, the entire collection is free on kindle. As for me, I like collecting the old copies.
From Books… Adventure
A Romp Through John Oehler’s latest: Ex Libris
I’ve been reading John Oehler’s books for years now. My first introduction to his books was Aphrodesia in August of 2013. I remember being naively surprised by how much a book could make me blush. After I met in the author in person at a Half Price Books event I had coordinated, I promised myself I’d read every book he ever wrote. Oehler is endearing, kind, and fun to be around, something you don’t necessarily expect out of someone who writes the kind of thrillers that win him awards.
Oehler writes adventures for people who want to travel, his books are rich with globetrotting and exotic locations. For someone who rarely leaves my armchair, that’s a big part of my reading experience desires, and for this reason, Papyrus is probably my favorite of his work.
His books are also full of lavish descriptions compacted into succinct sentences like this one from Ex-Libris:
“The confessional felt like an upright coffin. Beyond the grate, a balding priest with a hooked nose stared straight ahead, his wrinkled face more stern than compassionate.”
Just released in September, Ex-Libris is Oehler’s latest novel to date and one Amazon reviewer has already praised it for its “dangerous characters with just a taste of whimsy.”
The book does indeed have a full cast of badasses with their own personal dynamics. Paulette and Martine have my favorite dialogues, clever Doctor Who style companions to our hero, Dan.
If you liked Ludlum’s Bourne Identity, you’ll appreciate Oehler’s fight sequences, political intrigue, and consistent tension.
Some reviewers compare Ex-Libris to Dan Brown’s popular Da Vinci Code series. I have never read Brown’s books, and I would have preferred to read more antiquarian bibliophile geeking out and theological analysis theories— where other reviewers thought there was already too much of this. It just goes to show, you can’t please everyone, even when you’re a stellar genre writer.
Justice Gone
Justice and police dramas have been hot topics for what seems to be my entire life. From Law and Order being popular on television, to John Grisham being all the rage for most of my adolescence; and now, in my adulthood, police brutality and Blue Lives Matter is constantly on the news. So it’s not surprising that a crime novel about the judicial system and police murders would win awards.
N. Lombardi Jr. is the author of Justice Gone, a courtroom thriller published on February 22, 2019 (which just so happens to be mine and George Washington’s birthday). After some googling, I discovered that Lombardi “has spent over half his life in Africa, Asia, and the Middle East, working as a groundwater geologist. Nick can speak five languages: Swahili, Thai, Lao, Chinese, and Khmer (Cambodian).” (Noveldelights.com)
Within mere months of publication, Justice Gone had already won three awards:
- National Indie Excellency Award
- American Fiction Awards
- Silver Medal Winner, Readers’ Favorite
And most recently added the New York City Big Book Award to its lengthy honors.
That’s pretty impressive. And reading the book, it’s obvious why Justice Gone has received so much attention. Lombardi has tackled the genre with the same fast-paced finesse that intrigued readers all over the world in 1989 with A Time to Kill.
The first in what will possibly be a series featuring the character Dr. Tessa Thorpe, Justice Gone reminded me a bit of Elizabeth George’s Inspector Lynley books, primarily regarding my stress level while reading. Books like this are emotionally intense, and must be tackled in the right mood for someone like me who has moved on from voraciously reading the bloody suspense of Nelson Demille (between the ages of 12 to 22) to cozy mysteries featuring crochet, coffee, and craft shops at the ripe old age of 35 (complete with fuzzy socks and glasses sliding down my nose).
Justice Gone would be excellent fodder for a feisty book club: homelessness issues, the criminal justice system, thoughts on PTSD, even addiction and recovery methods… there are so many rabbit trails of heated debates waiting to happen. Have the wine ready and let the rabid discussions begin!
Interview with Author and Editor Adam D. Jones
Adam D. Jones is a high fantasy author and editor recently responsible for publishing The Lost Legends anthology. Longtime writer, historian, and musician, Lost Legends is his first book.
Who did the cover art? How did you find them?
The very talented Ryan Swindoll handled that. You can reach him at ryan.t.swindoll@gmail.com if you ever need a cover designed. He also took care of designing the insides, the font, the cool little decals, and everything makes it fun to hold a book. Talented guy. Having a great cover is half of the work.
As a writer, what made you decide to pursue editing an anthology for your publishing debut?
At various conferences and writing groups I’ve met talented fantasy writers and always thought it was a shame they weren’t published. I also needed a project to learn how self-publishing works before launching my own novels. It turned out to be a good move. I’ve learned the ropes, but also got some really good stories into the hands of readers.
You have two short stories included in Lost Legends, do you find short stories to be easier or more difficult to write than longer fictions?
Are you kidding? I spent more than years working on Idna’s Journals and it’s only three pages! I completed two novels in that time.
Lost Legends is a fantasy anthology, what draws you to read and write fantasy? What is your favorite aspect of the genre?
It’s fun. I could go on about the mythopoetic origins of the grown-up fairy tale, the foundational works like Phantasties, and how fantasy helps us understand the abstract truths by taking place in another world, but the best part is that it’s just more fun than any other genre. I want to read about monsters and magic. Who doesn’t?
Did you always love fantasy? What were your favorite books as a child?
The Gunslinger by Stephen King is incredible, and I read it every year. I read all of the books every year until the last one finally came out, and I was up until 4 a.m. finishing that one. I read these books when I was…a little too young for them.
I also devoured the Dragonlance stories and always wanted to write something as big and exciting as those.
Stephen King wrote in On Writing that writers should read a lot to keep their technical and creative tool box full. What are your favorite “tool box” books?
Stephen King’s The Wastelands is a perfect study in “how to write a fantasy book with multiple characters.” Rachel Neumieier’s The Floating Islands has great descriptions throughout, and I often open it to the beginning where she explains scenery and somehow it makes for an incredible opening. And many scenes in David Coe’s Children of Amarid are dogeared so I can remember his neat tricks for making things work.
You’re in a writing group. What does that look like? (What do your meetings consist of?) How has this helped you as a writer?
The Milford Method, a critique approach pioneered by Virgina Kidd, is used every meeting. I can’t recommend it enough.
It’s helpful that the group includes science writers, fiction writers, and songwriters, so we all learn a lot from each other.
Of your stories in the anthology, are there any you anticipate seeing spin off into other work?
I’ve been asked to write more about Idna’s Journals, but I prefer to keep it self-contained, leaving the audience to wonder. When I write short works, I try very hard to avoid the temptation of sequels and spurring on further works, because that often leads writers toward bad work. If you’ve only got a few pages, there’s no room for breadcrumbs and easter eggs that lead to the next story.
But there is a place for that sort of thing. Sarah Bale’s evocative story, Thundermoon Bride, will tie into other works she has coming, and I think that’s a good example of using a short story to hint at something bigger.
If The Lost Legends were to become a Netflix Original or Amazon Prime series, who would your ideal cast be for The Candlemaker?
Interesting story. The protagonist was female in the first draft of The Candlemaker. A real dainty woman who looked as threatening as a sofa cushion, making it easier for people to underestimate her. I pictured someone like Emilie de Ravin’s role in Once Upon a Time. I switched the character to a man because my other story in this collection already had a female protagonist, and it was more fun to write about an awkward guy trying to be cool around a woman who obviously knows more than him. Grant Gustin could pull it off.
Jones has another book coming out in November 2019, called Marshall Law, the first in a fantasy/steampunk series, where the discovery of old magic empowers a few survivors to take on the wicked machines of their oppressors. This new voice in fantasy is here to stay.
Little Bookshop Books
If there’s any one particular genre I am more drawn to than another, it is the sub-genre of both fiction and non-fiction that is specifically for bibliophiles: books on books, books about libraries, bookstores, and authors. It’s no wonder that my entire adult life has been dedicated to book blogging and book selling, and as an author, it is what I write about as well.
Imagine my excitement when I saw The Little Paris Bookshop arrive at the used bookstore where I work.
It took me a few months before I broke down and bought it. I kept thinking what I think for most contemporary fiction, there will be dozens of these for a dollar in no time. I wasn’t wrong, there are dozens of them floating around for next to nothing in many places, but I was in a hurry and eager to read something I just knew I would love.
It has taken me a few months to write this review, however, now that I have read it. I had to stew. I had to think. Mainly, because I didn’t love it. Not only did I not love it, there were many parts of the book I was on the verge of strongly disliking it. The disappointment was great, but as a writer of the genre, it’s difficult for me to be critical when the idea is so gorgeous but the execution so awful. It’s style and preference and world view affecting my ability to connect with the story. I know that is true of other people with my own stories, but it never makes it any less unpleasant to hear. And this woman has an international book deal, so what do I know?
Technically, Nina George is far more talented than I am, I’m sure. Yet, I floundered and forced myself to read this. I adore the shop itself — Mr. Perdu’s Literary Apothecary is on a barge no less! The opening chapters are beautifully done, introducing our book expert and his customers. It was Manon, the adultery, the awkward sex scenes, and pretty much every other part of the story that kept me dropping the book in my lap, tilting my head back into the sun, and saying out loud, “Really?”
I nearly didn’t finish it. I was tempted to throw it away.
Now, in September (having read it in July), I’m determined to keep it, but only so I may learn from it. I have placed it on a Goodreads shelf I’m building that I’ve labeled toolbox books, things I either purposefully read to utilize for the honing of my craft or am only keeping so I may reference its strengths and weaknesses later while dissecting my own work.
On the flip side, a few years ago, while I was not blogging regularly, I read Mr. Penumbra’s 24-Hour Bookstore. Despite it’s obvious title and glow in the dark cover, I was completely surprised by the content of the story –Yet I loved it! Every second of it was a delight. The same year, I believe, I read and reviewed Gabrielle Zevin’s The Storied Life of A.J. Fikry. I cried and cried, it was so beautiful. I could go on listing my favorites: Helene Hanff’s non-fiction collection of real letters 84, Charing Cross Road; award winning Penelope Fitzgerald’s The Bookshop; Diane Setterfield’s mysterious The Thirteenth Tale; Christopher Morley’s Parnassus series.
What is your favorite sub-genre? What books have you been disappointed by from this corner of the publishing world? What books moved you to tears?
Heir of Ra – Book Review
Ancient Egyptian artifacts, conspiracies, 10,000 year old biological nanotechnology… hand me my tin-foil fedora and “follow me, I know the way!” This book is FUN.
Heir of Ra is an action packed thriller, merging archeology, science fiction tech, and the mysteries of ancient Egypt. As an amateur historian (without a degree in the field to speak of) and wanna-be Egyptologist, the premise excites me to no end; but I’m not going to lie, I kept wanting to picture various characters as the “hair guy” with the bad tan on Ancient Aliens. In the end, though, Sasinowski’s writing shines through and doesn’t allow for that.
Although the book is categorized as young adult, the gentle nods to Edgar Cayce and vague feel of Frank Herbert’s White Plague, it seems like something more suitable for older, tired, adults with an hour or two to kill. Sure, the driving relationship is between a father and her young adult daughter, but I’m hesitant to restrict this title to the younger corner of a bookstore. Instead I want to share it with the Amelia Peabody and Lara Croft fan bases – which in theory should not be the same people, but there’s a Venn diagram for everything and Heir of Ra lands in this one’s center.
Still, it’s quick to draw in mythological sources to a modern day page turner, laced with a twinge of humor – not too far off base from a Rick Riordan series, just a little more grown up while staying appropriately clean.
I look forward to the inevitable screenplay and movie release.
To purchase: https://www.amazon.com/Heir-Ra-Blood-Book-One-ebook/dp/B07GDSK23D
P.S. The sequel was just released in June!
Addleton Heights and GWP
I had the honor of reading an advance reader’s copy of Addleton Heights by author George Wright Padgett. In addition to that honor, I got to interview him for the release celebration!
Who did the cover art? How did you find them?
God bless the internet. I discovered a fantastic Italian artist by the name of Michele Giorgi (http://michelegiorgiillustrator.com). I have a commercial graphic art degree and have done my covers in the past, but Addleton Heights was different. This novel is solidly situated in the steampunk genre, so I wanted a classic romantic image with all the flourishes. While I do plenty of layout and design, I’m no illustrator; it’s an entirely different discipline, so I sought out someone with those skills.
I came across Michele’s art on the internet when I was a third of the way through the first draft and fell in love with his style. He hadn’t had any book cover commissions at that point, but I took a chance and contacted him in the hopes that he’d try something different. I emailed him with highlighted samples of his work which struck the tone I was looking for.
Many of the Steampunk images I’d come across to that point were often dark and grimy. I love those murky atmospheres, but wanted to go a completely different direction in an effort to make the book stand out. The end result is an image of bright sunshiny day in January with the snow gently falling to the ground. It’s wonderful contrast to many scenes contained within.
Is there any possibility of a graphic novel using the same illustrator in our future?
That would be amazing! I’d love to see that happen someday. Michele, if you’re reading this, I’m 100% up for it.
How much research was involved with writing a Steampunk novel set in the turn of the century (1901)?
Believe or not, I found myself doing as much research on this novel as I did for the space clone mining novel Spindown (www.georgewpadgett.com/spindown)
I tend to get caught into these perfectionist cycles where I compulsively need to know everything about the subject before putting anything on the page. The idea being that the more that I can understand the world that the characters exist in, the easier it is for me to immerse the reader into the scene. The end result is great because I get to transport the audience into the center of wherever I’m taking them; the downside is it’s a slower process. For instance, because I tend to go overboard, I now know all about the migratory birds of the Nantucket/Martha’s Vineyard area though there’s only two or three mentions of birds in the entire novel.
I’m not complaining; I love learning so the research was fun. A huge component steampunk stories is their connection to history/alternate history, so I spent time studying about the area’s whaling oil industry losing out to Pennsylvania coal as a source of energy, the use of immigrants for the transcontinental railroad, Queen Victoria’s death later in the month the story takes place, the Boxer Revolution in China, etc. Weapons play an important part of the story, so I spent time with weapons expert Drew Heyen to make sure everything was authentic. Hopefully there’s enough history in the book to satisfy the cravings of those that are looking for it, but not too much as to bog down the story for those that have come to it looking for a mystery-action experience.
How was writing Addleton Heights different than writing your other books?
First of all, it’s the first full-length work that I’ve written entirely in first person narration, meaning we only see what our detective hero, Kip sees and thinks. He tells us everything we need to know. He has this delicious deadpan sense of humor mixed with a bitter melancholy. Life has been hard on him and he’s developed all of these colloquial sayings that he spouts out when describing things. These ‘Kipisms’ (as I came to call them) were a blast to write.
Also, I wanted to be true to the genre while offering something enjoyable to those uninitiated to steampunk stories. While the steampunk genre doesn’t officially have any set rules, there are elements that help to frame the story. As the story developed, I sent chapter sections to a group of beta readers for feedback. Doing it while the novel was written, allowed for me to tweak it as I went to ensure everything was ‘firing on all cylinders’. As a bonus, one of beta readers, a fellow writer, Christian Roule was well versed in the genre. More than once, he’d respond to what I’d submitted to him by saying, ‘It needs to be steampunk-ier here’. He and others helped me balance the story and not overwhelm it until it became a gadgets manual.
I love that you cross genres and have not pidgeon-holed yourself as a storyteller. When did you first meet the world of Steampunk? Did you find the genre or did the genre find you? (Did you read something Steampunk that inspired Addleton or did Addleton birth itself in your brilliant brain that resulted in needing the Steampunk label post development?)
Years ago I was signing books at a science fiction convention with some other authors. We were sitting across from a friendly booth of steampunk ‘makers’. They were selling all of these fantastic clothes and enhancement components (cogs, gears, and whatnot). I asked fellow author, Leo King (www.foreverwhere.com) who was next to me ‘What this steampunk thing was all about?’ He proceeded to educate me in the ways of alternate Victorian history. It was such a fresh concept to me, and I’ve been a fan ever since.
As for the story of Addleton Heights? The concept that serves as the core mystery (finding the Jason character) was an idea that I when I was seventeen. I’ve carried the idea around with me all of that time until it found a home in this novel.
You write every sub-genre of the science fiction realm… are there dragons in our future? (I, for one, would love to see what you came up with involving dragons…)
Dragons, huh? Currently I’m hard at work on a kind of time travel hide and seek adventure called Drift Pattern, but I do have a rough draft for a story which involves dragons and people using them for transportation. The working title of this fantasy-ish tale is ‘Kern’. Maybe we’ll see that in a few years.
As a woman, I adore reading Janae. She’s bold and fierce, but not without flaws. She is not flat, but dynamic. She’s not all wonderful, nor is she a ninny. Tell me about her and your experience writing her.
I’m fortunate to have a number of strong women whom I admire in my life. I wanted to pay homage to these ladies by avoiding writing some messed up ‘damsel in distress’ trope.
Enter: Janae Nelson. She is a force of nature! She’s my favorite character that I’ve ever written. I spent a lot of time to achieve a balance within her of being strong without forfeiting her femininity. I was careful to make sure that no man ever rescues her in the story; that she would save herself. I attempted to turn the stereotype on its head by having the damsel do some saving of her own when the male lead gets tied to the metaphorical train tracks.
If Addleton Heights were to become a major motion picture tomorrow, who would your ideal cast be?
Oh this is a tricky one… When I write I do ‘cast’ the characters with actors from movie roles and people that I know (I even print out photos for reference as I’m writing about them).
The problem with sharing this type of thing with a reader is that it’s unlikely that we visualize the same exact ‘players’. If I envision a grisly Kurt Russell for an old sea captain character, but you imagine an unshaven Dustin Hoffman for the same part, then I reveal who I’ve chosen in the role, does it reduce or nullify your experience? As with painting, what’s on the canvas is a conversation between the artist and the person witnessing it. The viewer’s interpretation is neither ‘right’ nor ‘wrong’, but in the same vein, the creator of the art shouldn’t have exclusive say once the paint has dried. In that same spirit, I humbly must decline to answer here and leave that to the reader’s imagination.
You’re typically a one book storyteller, completing a story in its entirety at the first go. But I’m dying for more Addleton Heights – is there a continuing series in our futures?
Detective stories are typically based on a single event; if it’s a who-done-it the question is who the murderer is and possibly the ‘why’ of the mystery. One thing that’s nice about these types of novels is that once the case is solved there can be another one right behind it. So we may see Kipsey again someday.
How can readers order posters and prints of the book cover and map to go with their copies of the book?
By contacting my publisher, Grey Gecko Press (www.greygeckopress.com) or by visiting www.georgewpadgett.com
Warmest thanks for your interest and support of Addleton Heights.
GWP
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George’s steampunk detective masterpiece releases 12/13/16. Order your copy online from www.amazon.com , www.barnesandnoble.com , www.greygeckopress.com, and everywhere else that sells quality books.
Twilight Books…
And no, I’m not talking about the twilight saga. I’m talking about those books you pick up to read as the sun is setting – at the end of your day – and binge read until complete. I’m talking about all those glorious read in one sitting books. The kind that result in a little less sleep than you should have gotten the next day, but are worth it because you feel so much more refreshed than if you had actually slept.
It’s as W. Somerset Maugham said, “To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.”
So when I am at my most miserable, I set in place the habit of reading cozy “twilight” books. I create down time where there is none, to devour what will rest my brain from my own crap long enough to kick start my next day.
On Sunday, it was The Azalea Assault by Alyse Carlson. I saw the Victorian mansion surrounded by gardens and trees and grabbed it instantly. The watering can, the tagline “Murder is bad for publicity…” What’s not to love? I can’t get enough of these cozy mysteries and this one is on the list of one of the better of them. It’s definitely an all in one sitting book and it inspired me to take a closer look at the weed situation in my garden this week. Which was lucky all in all because I found jalapeños and bell peppers for the kitchen.
Last night, however, it was The Twilight Wife by A. J. Banner. I received an Advanced Reader’s Copy for an honest review – and full disclosure, she’s my cousin’s wife. But I can say without hesitation that I was pleased. And I read it all at once.
Available Now for Pre-Order, Release Date December 27, 2016
I enjoyed her previous book, her debut into the psychological thriller genre, The Good Neighbor but I also recognized why so many found faults with the plot that were pointed out in other reviews. Banner definitely stepped up her game and took previous criticisms to heart for The Twilight Wife and it is leaps and bounds better in content and quality. Still brain candy, the twists not as surprising as a typical reader of the genre might like – but perfect for snuggling up with for a few hours when your own life is not something you want to think about anymore.
Also, and I said this about The Good Neighbor as well, Banner’s book screams to be made into a movie. Sleeping With the Enemy, The Net, and a number of other 90’s classics we could not do without would love to share shelf space with a film version of The Twilight Wife. These are the stories we wear pajamas, drink a lot of wine, and eat the greasiest pizza while reading and watching.
So next time you find yourself out of sorts, too tired to look at your calendar to figure out when the next paycheck arrives and how soon it will be for you to make your next grocery trip… when you’re cranky about work, too exhausted to sleep, and definitely leaving those dishes in the sink overnight… download a copy of a twilight book… a cozy mystery, or a bit of women’s fiction like Azalea Assault and The Twilight Wife. Once you’ve read those, holler, I have an endless list to share.
If you have a Goodreads account – come find me, I share book lists and reviews there as well (Goodreads Author A.K. Klemm). Also, remember that I am an Amazon Affiliate and greatly appreciate you clicking through my blog to make your Amazon orders. It helps pave the way for me to continue reading, writing, and sharing my love for books with you (http://amzn.to/2d7edMl).
Storied Lives
Title: The Storied Life of A.J. Fikry
Author: Gabrielle Zevin
Books about books and bookstores… it’s my achilles heel. It’s the thing I cannot live without. It’s absurd how these things find me.
A.J. Fikry soothed my soul when I was too tired to appreciate much in the world of anything involving humans or words or life… yet, the book is all about humans living with words. It’s lovely. After a depressive hiatus that resulted in me binge watching The Flash, A.J. Fiery got me reading again.
The romance of reading is simply one of my all time favorite topics. I suppose because it’s the only romance I truly trust. The books will not abandon you. Books are sturdy. And more than anything, they are one sided and require little from you to continue to exist and offer you their best. A book does not cease giving you all it has to offer just because you are in a bad mood – or emotionally unavailable. A book loves you back no matter what. A book won’t surprise you when it ends, you can feel it coming as it becomes more weighted in your left than your right. You know on the last page that it will not speak to you again unless you start over. And you always have the option to start over.
A.J. Fikry’s island bookstore is just what the emotional doctor ordered, I plan to repeat the experience often.
Wren
Title: Wren
Author: Regina O’Connell
Genre: Young Adult/ Fantasy
Format: Kindle/ Ebook
One of the perks of being an indie author is that I encounter a lot of other indie authors. In doing so, I discover a lot of reading material that most people might not. With all this non-mainstream discovery, I get passed a lot of duds and a lot of gems.
Wren was neither for me. It was a good book among a lot of good books. It didn’t blow me away, but I didn’t feel like I wasted my time either. It was enjoyable and if the right person came along, I’d pass along a recommendation – not in a sing its praises from the rooftop sort of way, but in a there is an audience for everything sort of way.
Wren is a book for someone with an hour to kill who is in the mood for a fast-paced action/ dystopian fantasy. You are quickly dropped into the story and it’s easy to devour it. I read it in one sitting – so clearly it’s a fun way to pass time.
I’m not sure it will make a lasting impression, though. It’s not a story that will stay with me. It is a story that will compel me to read whatever O’Connell puts out next, when I have the time, just to see. She’s piqued my curiosity and I’m glad I had the opportunity to take a peek into her imaginary world and keep her writing career on my radar.
Anakalian Whims 
