Whispers for the Soul
Title: Whispers in the Dark
Poets: Ashley Nemer, Stacy Moran, Torie N. James
Genre: Poetry
A Product of The Art of Safkhet
A Guest Review by Angelina JoiAnn
As I was reading Whispers of the Heart by Ashley Nemer I felt depressed at the beginning by reading words like cry, darkness, kill, and beat. The first poem “They Say” gave me hope with “angel, strength and spirit.” I did not understand why “I walk and feel wetness” is in the “Darkness” poem – I am guessing it is raining, but to me darkness is not wet. Rain is more of a cleansing – a way to feel alive – not isolated. The the depression goes into a vampire and human relationship with “Forever you are mine” and “Immortal Love.” I can picture a vampire saying/writing those words after biting a human. I kind of get the darkness feeling going into the Vampire poems but after that I get thrown off with memories, dog, and grandpa.
While reading Whispers in the Storm by Stacy A. Moran I felt like the section would have been more aptly named Whispers of the Soul. It felt like the poet was writing poems from different growths of her soul, and perhaps had even lost a child. The poetry seemed to speak from a child to a woman, from a woman to a mother and so on. I would have liked to see them organized from love to heart break, but I felt a lot of growth over all and really enjoyed this section.
Whispering Flames by Torie N. James has to be my favorite. I felt like a phoenix flying out of the fire. I felt free while reading the different poems – as though the weight of the first two sections were being lifted off my shoulders.
Overall, I was taken on different feelings and journeys throughout the book and felt the different aspects and growth from the souls of the writers. I did feel that each section had a weird, random organization, and that the poems could have been better placed within each author’s portions, but that’s just my OCD. I enjoyed peeking into each poet’s lives.
It’s HERE!
Guess what I’ll be reading this evening? The third installment of the Seed Savers series! Heirloom is here and I have the distinct pleasure of kicking off the blog tour on the 14th!
The Bookshop Hotel: At Long Last Published
Awww, thank you dear.
My dear friend, A.K. Klemm, has published her first novella: The Bookshop Hotel.
It has a cover.
It has a cover photo.
It contains words she wrote and thoughts she had connected one by one to create something that is now bound and on sale for you to purchase and love.
I have not had the pleasure of picking up my own copy yet (am waiting to do it in person so the appropriate amount of shrieking can follow once I have it in my hands), but I promise, if it contains half the entertainment value of one of her phone calls, and a quarter the creativity of one of many college late night brainstorming sessions, it is absolutely worth curling up with a cup of coffee (for anything she writes will be best complemented by coffee) and giving it a read.
The Bookshop Hotel Release Party!
Please message me if you plan to attend so that we can ensure the appropriate number of books will be available.
I love you, I love you not
Title: Player Piano
Author: Kurt Vonnegut
Length: 295 pages
“Anita, I love you.” The compulsion was upon him to tell her everything, to mingle his consciousness with hers. But as he momentarily raised his hand from the drugging warmth and fragrance of her bosom, cool, fresh air from the Adirendacks bathed his face, and wisdom returned. He said nothing more to her. – from Player Piano
It wasn’t until I read that paragraph on page 118 that I really began to appreciate Kurt Vonnegut.
I’m stubborn. People love Vonnegut. Especially nerdy literature geeks. I’m a nerdy literature geek. My friends love Vonnegut. I should love Vonnegut. But because I should, because I am appropriately quirky and should be his target market; because of these things, I’ve never cared for him much.
I wrote a character who adores him once. Whenever I read Vonnegut, I summon this character in my brain and try to feel his words the way she does. It gets me through the book… small details got me through Cat’s Cradle (Bokamaru! or somesuch nonsense).
Still, I am stubborn. The excitement that quote on page 118 gave me died down by page 150.
I wrote the character previously mentioned based on another friend’s love for Vonnegut a few years ago. My friend who loved Vonnegut is gone now, so any details on the passion are completely fabricated, only the source is rooted in anything real. My friend and I swapped paperback copies back and forth, and though it’s something I vaguely recall about him, it is not what we bonded over.
So, though he sits politely in my brain any time I pick up something Vonnegut related, I don’t remember which ones he read and which he had not. He had a habit of reading parts of a book and rarely finished many in their entirety. Was Player Piano something he read completely? What were his thoughts while he was reading it? Did he make it to page 118 – did he read those words about mingling consciousness?
I’m stubborn, but beyond being stubborn Vonnegut is tainted for me. There’s too much pressure. Too much connection and disconnection at the same time. Too much expectation.
“I’m more than halfway through this novel in a day and will finish before I go to sleep “, I journaled earlier tonight, “But I am not involved in the story. And my stomach is in knots.”
Instead of preparing for a book club meeting, my mind is with the dead. My mind is on the dead when I get to page 191, “He discovered that there was nothing disquieting about seeing himself dead. An awakening conscience, unaccompanied by new wisdom, made his life so damned lonely, he decided he wouldn’t much mind being dead.”
And when my mind is not with the dead, it is with the merely absent. It’s certainly not here. It’s certainly not in this book. It is on a bike ride with my friends – or off in the manuscript of my second novel that I wish I was finished with already.
So Vonnegut, you will always reside on my shelf. I love the familiarity of your spines and covers loitering in my library. I think you are important. You will not be forgotten, because “Well, sir, it hurts a lot to be forgotten.” And clearly, I think you are beautifully quotable at times. But I do not love you. I’m too stubborn.
Death Without Cause
Title: Death Without Cause
Author: Pamela Triolo
Genre: Crime Fiction
Length: 297 pages
Murder mysteries are an easy sell. There’s something innately intriguing about one human being ending another. I noticed this not only when I worked retail where people impulsively picked up clearance paperbacks with shiny letters over black spines, but also as I toted around Pamela Triolo’s Death Without Cause.
I took it to get a pedicure at the Kingwood College (or Lone Star, rather) Cosmetology department. It was my mother’s treat for my niece’s birthday and she took me and my daughter along. It’s a great place to take children for their first, as it’s inexpensive and allows the students to practice on not so picky clients. It’s apparently also a good place to talk books.
First thing the girl said was how much she loved mysteries. She talked a minute about her various reading preferences – always a topic of interest to me – and I passed her the bookmark that Triolo included in my copy of the book. For good measure, the girl took a picture of the cover with her smart phone. I hope it results in a sale…
Because even though murder mysteries are a dime a dozen – sometimes, quite literally if you find yourself in the right shop – and even though I generally always enjoy them, there’s a difference between a mystery that fills time and one that’s really good. Triolo’s is really good.
“The nurse was the first and last line of defense for patients,” a character in Death Without Cause observes. What happens when that defense fails against a calculated and knowledgeable killer?
Triolo is a registered nurse as well as a skilled writer. Just read the prologue of Death Without Cause and you can’t help but understand why this woman would want to study medicine and write mysteries to boot! She makes the heart sound solid and sexy and desperately fragile at the same time, an organ too tempting for a psychopath to pass up tampering with.
It’s also clear that Triolo knows what she’s talking about. She’s not just a writer throwing around jargon she’s heard… I always think of films where the character peeks in the stalled car on the side of the road and says something utterly ridiculous and then walla, the car is fixed… No, Triolo is a nurse, sounds like a nurse, and has captured the ambiance of the hospital hands down. I was riveted.
For those who like a bit of a romantic twist, don’t worry, Triolo didn’t leave you out – there’s a little budding love story in the background as well.
I anticipate Triolo being a future bestseller. She radiates the finesse and know-how of others who have written from their career experience… Kathy Reichs, John Grisham, and more. I look forward to seeing her name in the New York Times one day. For now, The Houston Chronicle, I’m sure, will enjoy sharing one of Houston’s best with the world.












