Coming of Age…
April 22, 2013 at 11:56 pm (Reviews) (Author, authors, Christianity, coming of age, Miranda Campbell, Missing Dad, publication, release, religion)
Coming of Age always references that adolescent stage. But, the real coming of age, I have found, is when you’re creeping toward 30. It’s when things really start happening. It’s, apparently, the new 20.
I’m getting published.
And so are all my writerly friends my age.
Here’s one of them:
I look forward to reading Missing Dad by Miranda Campbell.
So, maybe we’ve been grown up for awhile now, but now it finally feels that way.
April 2013 Events
March 22, 2013 at 7:42 pm (Events) (A Deadly Combination, Author, book club, Book Signing, book signings, cake balls, Chris Rogers, Earth Day, Events, gift baskets, goodie bags, half price books, Humble, Mary Reason Theriot, Mercer Arboretum, Natius Nursery, Poetry Nights, S. Smith, Seed Savers, The Brookwood Community, The Martin Epicurean)
In addition to Book Club (first Monday of the Month) and Poetry Night (first Thursday of the Month), this is what’s going on at Half Price Books Humble in April. Keep checking back, there may be more to come!






Interview with Author Rhonda R. Dennis
January 30, 2013 at 9:18 pm (Interviews) (Author, Green Bayou Novels, half price books, Interview, Louisiana, Melinda McGuire, mystery, Rhonda R. Dennis, romance, series, southern, Southern Louisiana, Southern Writers, suspense)
Author of the Green Bayou Novels
I met Rhonda R. Dennis while booking her and Melinda McGuire for A Southern Saturday – an event we put on at the Half Price Books in Humble. It featured southern authors, southern goodies, and all around a lot of southern hospitality. We had a blast. Rhonda was friendly, donated a lot of her own books to raffle off to customers, and kept a professional attitude.
Another signing is the works now, with details to follow later. But since I can’t quite have her in the store again just yet, I’ve arranged an interview! (So exciting! As I’ve said before, interviews and guest blogs make me feel like Oprah.)
- Your books are set in Southern Louisiana, and you’re also from there. What were your favorite things about the state when growing up? What are your favorite things about living there now?
First, I want to thank you for having me as a guest! I absolutely love reading your posts.
While growing up, I never gave much thought to how different my culture is to others. I assumed that everyone ate tons of seafood, celebrated Mardi Gras, and had the innate ability to pronounce French names. I started traveling, and realized that was far from true! I love visiting new places and I have a huge appreciation for their traditions, but South Louisiana will always be home to me. It’s definitely a place that everyone should visit at least once.
- Your books are Romantic Suspense/ Mysteries. Is this the genre you typically read as well? What authors or books are on your ‘favorites’ shelf?
I enjoy most genres. My favorite book is A Confederacy of Dunces by John Kennedy Toole. I read it at least once a year and I’m always amazed by his genius! I also love Charlaine Harris’ The Sookie Stackhouse Novels and Janet Evanovich’s Stephanie Plum Series. I appreciate the work of many Indie authors, although several of them are now being traditionally published. Colleen Hoover’s Hopeless left me sobbing and Marie Coulson’s Bound Together was scorching! L.B. Simmons’ Running on Empty—phenomenal! I tend to gravitate toward books that let you feel a range of emotions. I like to cry one minute then laugh the next. To me, that’s the mark of a truly great author—being able to take your reader on a roller coaster ride of emotions.
- Do you have play lists of mood music you write to? If so, which artists/songs generally make the cut?
My music choices are even more eclectic than my reading preferences. Depending on the mood of the scene I’m writing, I will listen to anything from Red Hot Chili Peppers to Bruno Mars. I’ve been listening to a lot of 80’s and 90’s music lately, as well as the Les Miserables soundtrack. A lot of times, I have to turn the music off because I spend more time belting out tunes than getting my story down!
- What do you find to be the easiest part of the writing and editing process? What is the hardest for you?
The easiest part is coming up with the general direction I want to take the story. Generally, I type a skeleton version then rework it until I’m happy with the manuscript. The hardest part is when I actually put it out there for the public to read. I believe in my stories, my beta readers are generally enthusiastic about the books, but until I get that feedback from the readers, I’m waiting with bated breath. Please leave reviews people!! You have no clue how important they are to authors, not for an ego boost, but for validation that we’re on the right track. J
- When you complete a book and it goes to print, how do you celebrate?
It’s generally a quiet, personal pat on the back kind of thing. Although, the series will be wrapping with book six at the end of the year, so I anticipate a book launch/series finale party for that one.
- I’ve met a lot of authors with drastically differing views on this… would you ever be interested in a TV or movie deal for your series? If so, how involved would you want to be? (There every step of the way? Or hand it over and let the film people do their thing?)
I have so many people tell me that they strongly feel the series needs to be made into a movie/movies. I’m all for it! I’d love to have lots of control over it, but I’m realistic enough to know that that probably won’t be likely. My only wish is that they would do the series justice.
- I’ve read in other interviews that you’ll write this series as long as Emily has stories to tell. Do you have any other projects in mind at this time?
I do have some projects lined up after the last book of The Green Bayou Novels series is released. I want to branch out a little bit. I have plans for a couple of stand-alone novels, as well as a book about local ghost stories.
- You’ve been featured on Melinda McGuire’s Southern Creatives segment of her blog, been involved in joint book signings, and contributed to a project she edited (Rich Fabric) [I’ll link to Rich Fabric]. How did you meet?
That is one of the wonderful things about technology! We met online! I want to say it was the Goodreads website? Anyway, being that we are both writers of Southern fiction, we instantly bonded, even though our writing styles are quite different. She writes from a historical perspective, whereas my novels are set in modern times. I’m pretty sure she’ll agree that we have a mutual appreciation of each other’s enthusiasm for all things Southern. I’m a definite fan of her work.
- Every reader or writer has a favorite bookstore (and if you don’t, please don’t spoil my delusion!). Now is your chance for a shout out! Tell us who you love and what you love about them.
While I could easily spend loads of time and money in any Barnes and Noble store (or any other major retailer for that matter), I prefer the feel of the small Mom and Pop bookstores. I love walking into a place where you know the staff is there because it’s their passion, not just a job. We had a quaint little bookstore in Morgan City, but unfortunately, it shut down. I continually hope that someone will try to open another one.
I should also mention that we don’t have any Half Price Book branches in Louisiana, but based upon the reactions of my husband and son when I had my joint signing with Melinda McGuire in Humble, we’d be spending lots of time in there, too!
- Outside of writing and Southern Louisiana, what are your passions?
I am very passionate about giving back to others. I’ve donated many copies of my books, t-shirts, and other prizes to raffles and auctions to raise funds for injured or ill persons. My favorite charities revolve around cancer research/children’s charities: St. Jude’s, the Shriner’s Hospitals, American Cancer Society… At this moment, I’m in the process of working something out for our local Relay for Life.
I’m also passionate about treating others the way I would like to be treated, and doing all I can to help make this world a better place for my son to grow up in. I love to promote the good things that are happening around us. I feel that we often get bogged down in the bad news. Just as many wonderful things occur in a day, however, it’s not often considered “newsworthy”.

Rhonda R. Dennis posing for the St.MaryNow Franklin Banner Tribune fifteen months ago. Click on the image to visit the article.
January 22, 2013 at 2:52 am (Uncategorized) (Author, blogging, blogs, February 2013, L.B. Simmons, Running on Empty, tour)
Introducing L.B. Simmons and her February Blog Tour… this tour is just the beginning.
The time is near my friends!!! The Running on Empty Blog Tour is almost upon us. I am so excited. There are interviews, there are character interviews, there are Blake POVs, lots of fun stuff…this tour is gonna be EPIC!!!!!!!!!!! There will be signed paperback copies up for grabs…so be sure to visit these blogs on the following days to be able to enter for one!!!! I know there may be a few of you out there who would like one…;) Spread the word about the tour people! I love you guys so much and the book is doing amazing because of YOUR support!! Let’s rock this tour together! ❤ 🙂
FEBRUARY 1: Natasha is a Book Junkie
http://www.natashaisabookjunkie.com/
FEBRUARY 2: My Secret Romance Book Review
http://www.mysecretromancebookreviews.com/
FEBRUARY 3: The Phantom Paragrapher
http://thephantomparagrapher.blogspot.com/
FEBRUARY 4: Sugar and Spice Book Reviews
http://sugarandspiceandeverythingnaughty.blogspot.com/
FEBRUARY 5: Shh, Moms Reading
FEBRUARY 7:…
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Author Karen Rose Smith Guest Blogs
August 15, 2012 at 10:49 pm (Guest Blogger) (american writers, Author, cats, Grand Canyon, inspiration, Karen Rose Smith, on writing, pets, romance, travel)
I find interacting with authors on Twitter to be very exciting, and it’s always fun to share my twittering adventures with my fellow readers and blog subscribers. Karen Rose Smith is a best-selling, award-winning author. Her 80th novel will be published in 2013. Below, she shares a little bit about her life as a writer.
What Inspires Me
Writing and living are interchangeable for me. They are so glued together that I realized while writing this blog that whatever inspires me for one inspires me for the other. Peaks and valleys in one affect the other. So when I think about inspiration for either writing or living, I can lift my heart in these ways.
Ever since I was a young girl, music has made a difference in my life. (That is probably why one of the romances in my new series revolves around music.) Until I was five, my parents and I lived with my grandfather and my aunt. After that they lived next door. I come from an Italian heritage, and my grandfather was an immigrant. He played the mandolin beautifully. On weekends friends would stop by with guitars and an accordion, and he and his friends made music. That music brought into the house fellowship, fun and a sense of well-being. Also in my grandfather’s house was a player piano. We inserted what was called a “roll” and a melody magically played while my mother and I would sing along. She played the piano herself, and I would accompany her, too. It was natural for me to learn to play the piano myself. Through the years I learned to express emotion through the playing. I found joy and inspiration in the music. With this history, I never just listen to a song. I feel it. Today I listen for artists and music which can stir that deep creative part of me, whether it does that by bringing back memories, lifting me to a mountaintop, soothing pain and stress away, or urging me to write a particularly emotional scene. Music lifts me over the writing bumps or life’s bumps.
Traveling to a place with power also renews me. I believe everyone can find places that fill them with peace and an overwhelming sense of well-being. When I was a child, I had access to a relative’s farm. There was something about the fields of grass, the scent of orange blossoms and honeysuckle, the playfulness of kittens around the barn and the beauty of horses in the corral that always washed over me in a particularly healing way. I loved just being there and soaking it in. As an adult I feel drawn to places where I can feel a power greater than myself–the ocean, the cliff dwellings in the southwest, the Appalachian mountains, the big blue sky over Santa Fe, Sedona and the Grand Canyon, a memorial garden my husband and I created in memory of my parents in our own backyard. All of these places, as well as the memories from being in them, fill me up when I am empty and help me to keep going.
Since emotion and my creative energy are also integrally linked, the people I love and who love me also inspire me. My husband reminds me that I always say each book is different and eventually my characters show me the way. Talking to my son long-distance reminds me the bonds between a mother and child are never-ending. When my BFF’s daughter runs to me for a hug, I am inspired to look at the world through her eyes–in a more innocent, unspoiled way. My writing friends listen and help me get unstuck when a scene or character is being stubborn. Also my three cats, Ebbie, London and Zoie are constant companions who remind me to be playful. Ebbie joins me when I work or listen to music. London curls on my lap or beside me for an afternoon break. Zoie exhibits pure kittenhood. Their presence fills me with a sense of joy and contentment.
Inspiration surrounds me in many forms. I just have to know how to listen, where to go and whom to turn to in order to find it. Somehow I always do and life and writing flow on.
Buy Her Books Here!
Readers can visit her websites:
http://www.karenrosesmith.com/
http://www.karenrosesmithmysteries.com/
http://twitter.com/karenrosesmith/
Facebook (Karen Rose Smith author)
Access her e-zine In Touch at karenrosesmith-ezine.blogspot.com for new releases and contests.
Hog’s Head
August 9, 2012 at 1:57 am (Guest Blogger) (Author, bars, E.B. Jones, guest blogger, Hog's Head, Short Stories, whiskey)
I stepped onto the train and made my way past the vomit stains and broken arm rests to the cleanest looking chair and sat down. The whole car smelled like a mixture of bourbon and puke. Bums would use the trains to go from one part of town to the other because the ticket man spent more time watching his personal DVD player than he did actually checking tickets.
I made sure I had one though because they usually hired men a lot bigger than me, and if for some reason he had decided to go out and check tickets then they would no doubt have a man working that could throw my ass off the train. I’d seen them do it a time or two and it looked pretty painful.
See, the bums would panhandle for awhile on the east side of town and when people eventually started to recognize them and stopped giving them money, like they had a quota per person that once they reached they could no longer be charitable anymore. Once the generosity dried up in one area the bums would ride the trains to another part of town where people didn’t recognize them. They would continue to do this until they eventually made their way around the whole city, which took about a year and a half. By the time they got to the area they started in, most people had completely forgotten that they existed. I sometimes think people don’t give bums enough credit, they make more than the people out there working some shit minimum wage job; they just woke up one morning and realized that dignity is more overrated than being without.
The train pulled up to the main station downtown and stopped with a loud hiss. I stood up and headed towards the door. The guy checking tickets never came out, so I could have saved six bucks, but it was all right, I had just gotten paid so it wasn’t going to hurt me too much.
I stepped down onto the platform and took a moment to breathe in the sick sad air that was around me. I felt like it understood me and knew what I was thinking, stuck in a city ready to poison you at every turn but having no way to get out, and not really wanting too.
I walked down the sidewalk and passed a bunch of shops that were never open after five o’clock. I was surprised at the amount of shops that had strange little nick knacks like ceramic baby dolls kissing or glass cuckoo clocks for ridiculous amounts of money. I had to wonder how shops like that stayed in business whenever they were only open from Monday through Friday from ten to five. Then again most pencil pushers that worked the nine to five wouldn’t have been able to afford that kind of crap. I had walked about ten blocks whenever I realized that my thoughts had gotten away with me but I was still downtown and found myself in front of an open sign. Another sign above the door said “Liberty” with the word “bar” underneath it in smaller letters. It was just a blacked out glass door in a red brick wall so I wasn’t totally sure what I was going to be getting into but I decided to go inside anyway.
The room I was in was awe-inspiring. The lights were all black lights reflecting greens, reds, oranges and purples. The entire place was crawling with boys that looked like girls and girls that looked like pigs. They all wore black with little accents of red and white here and there and drank bloody marys. The jukebox said something about how it didn’t belong here, and neither did I.
I was already inside and had been standing for some time so I decided to stay and have a drink. I walked up to the bar and sat down for a minute or two before the bartender came from the back room. I figured he must have been in the back changing out kegs.
“What can I get you?”
“Whiskey.”
“Fuck man, finally someone orders something other than a god damn bloody mary!” bartender said in a heavy north eastern accent, I’m guessing he was from somewhere in New York like Brooklyn. I think I remember a movie that was based there and he sounded like they did. He was also the only person not dressed like he came out of some Edgar Allen Poe story or an Emily Dickenson poem.
“Don’t get much of that here?”
“No man, all these fucking goth kids. This bar used to be a nice place but then we got this new owner. Draconia she calls herself, real fucking character she is. Anyway, all her friends started coming and apparently spreading the word that this was the hip new place for goth’s to hang out.”
“So why don’t you quit?”
“Honestly?” He asked me, “It pays good and I hate having to look for a job.”
“Where’s my whiskey?”
“What?”
“Where is my whiskey?” I said a bit louder. It was kind of hard to hear with Robert Smith trying to own the conversation.
“Oh shit man, sorry.” He turned and poured my whiskey and then set it down in front of me.
“What I wouldn’t give to have the old place back.” He had a look of reminiscence on his face, like a child remembering his first puppy.
“So why not open your own place?” I wasn’t sure if this guy was just looking to talk or actually looking for some direction.
“Well you know, that’s kind of difficult and you have to go through so much paperwork and all that. I just don’t know if I could actually pull it off really.” His words came out slowly. He didn’t seem to have much self confidence. I was bored with him now. I continued the conversation for a little longer because I felt obliged too but was well ready for one of those poorly dressed vampires to come up and order a bloody mary so he would stop talking to me. Finally some skinny boy and his pet pig walked up to the bar. The bartender was still talking to me so I coughed and hinted that someone was there. He walked over and asked what they wanted. Bloody mary’s, of course. I downed the rest of my drink and ducked out as quickly as I could so he wouldn’t try to talk to me anymore. I didn’t bother with paying my tab, I figured my company was enough.
I started going up the street again. I didn’t want to go into another goth bar but I didn’t figure that would be too much of a problem, maybe if I was in New York or Los Angeles but I doubt there was another goth bar for a few hundred miles. I also didn’t want to go into a dive bar or a dance bar or a honky tonk bar or really any kind of bar for that matter. I didn’t like bars.
The only reason I was even out tonight was because I wanted to write something, but I had nothing to write about. The one thing I wanted more than anything was to be a great writer, like Hemingway. The difference between Hemingway and I was that he actually went out there and did stuff. He was stuck in the hospital for months for wounds he received in the war when he carried another man out of danger and into safety. He told the world about the running of the bulls in Pamplona. He lived in Paris. Me, I worked in a sports bar on the north side of town and once I got off work most nights I would go home, heat up a tv dinner, grab a beer, watch television for a bit and then sit at a computer staring at a blank page and drink until I passed out.
Sometimes I thought that maybe if I ever met a woman then my life would change. A whirlwind of a woman who would draw me out of my seclusion. Once I met her I would be on the adventure of my life, and then I would write non-stop. The only problem was that I didn’t like going places alone and I didn’t like meeting new people. I also didn’t really know anyone around town so I never really went anywhere but for some reason tonight I decided I was going to go out.
I was just about to head back to the train and my apartment whenever I noticed something out of the corner of my eye. It was a wooden cut out of a pig with faded paint that told me the building it was attached too was called “Hog’s Head” and that if I went inside I could expect to drink cocktails and to dance with beautiful women. Maybe she was in there, and she would pull me out of my shell. I stood for a moment thinking on whether I should go inside or not and finally decided that one drink wouldn’t hurt, so I walked across the street and went into the bar. It had a patio on the outside that was fenced off and the entrance to it had one of those old saloon style half doors that you always saw in the westerns. The actual door inside wasn’t as exciting because it was just glass with a handle and only opened outwards. The patio doors swung both ways.
The place was pretty packed and it took me a few minutes before I was able to find a seat. A fat man in flannel got up from the bar and started walking towards me. He bumped into me and half mumble, half burped something at me then stumbled out the door. I darted up to the seat and lifted my finger to get a drink.
I noticed a flash of very light yellow just to my right so I instinctively looked over to see what it was. A blond woman was standing next to me and I looked her up and down. She had on a tight white shirt that barely covered her breasts and a plaid skirt that covered some fishnet stockings. She wasn’t my type really, but she did seem to have a nice ass.
“What are you doing here stranger?”
“Trying to get a drink I suppose.”
I really had no interest in her, but I figured I had no interest in even being there in the first place, but there I was so I must have had some interest in her simply by default. Like I said, she wasn’t my type, but it had been awhile and she looked good enough.
“Well aren’t we all doing that.”
“Looks like it to me.”
“My name is Beth.”
“Nice to meet you Beth.” I didn’t bother looking directly at her, I’d heard at one point somewhere that if you didn’t pay much attention to women it would drive them crazy. They felt insulted but enthralled that you wouldn’t look at them. In my experience that advice never really held true though. If I ignored a woman and didn’t pay much attention to them they didn’t pay much attention to me either. Besides, if I had looked directly at her I probably would have ended up just staring at her tits.
“And you are?” she was starting to get a little bit pissed so I decided to indulge her a bit. I got my drink and turned my chair towards her.
“Pierce.” I said raising my glass.
“Nice to meet you Pierce.” She raised her glass and clanked it against mine.
“So Pierce,” she said with her eyes all-glistening at me. I hated whenever people said my name to me, I saw no sense in it, I knew my name already, you don’t have to tell me my name. Unless she thought I might think that she might have been talking to someone else but she was obviously looking at me so it was stupid, “What do you do?”
“Mostly drink.”
“Well don’t we all? I mean what do you do?”
“I’m a writer.”
She seemed to get really excited about that, “Oh, what do you write? Have I ever read anything?”
“I doubt it.” I didn’t just doubt it because I’d never really written anything and subsequently had never been published but also because she looked to be about as dumb as a sack of bricks and probably hadn’t read anything in her life other than some article on 69 New Ways To Please Your Man in the latest issue of Cosmopolitan.
“Well, I went to modeling school.” she said, seeming to think that by knowing that she went to modeling school once would do something to impress me.
“Ah.”
“Well it wasn’t all glamor and clothes and shoes and stuff, I mean it was hard work.”
I actually believed her that it was hard work, with a brain like hers I’m sure walking down a catwalk was a difficult task. Don’t get me wrong; I had full intentions of fucking what little brains she had out of her but would I call her tomorrow? By no means. She was about as shallow as piss on concrete and did nothing to stimulate conversation. But the attractive intelligent girls only had about a two day waiting period before someone snatched them up and I wasn’t interested in someone that was less fortunate looking than I was because I was pretty unfortunate looking myself.
“See we have to walk straight down the catwalk and we half to…” I listened and listened to her blabber about how difficult walking was and then suddenly, salvation, in the strangest form came to me.
A large fist the size of a grapefruit came between us and actually made a small dent in the aluminum bar. I slowly looked up and saw the flannel man that had bumped into me before. He was clearly disturbed by the fact that I was sitting in the seat he had once been sitting in.
“What in the god damn hell you think you’re doing boy?” he snarled at me like a bull about to charge the matador. If I hadn’t known better I would have sworn that steam came out of his nose.
“Drinking?” I wasn’t sure what answer he was looking for.
“You’re in my seat and talking to my god damned woman.” His arm wrapped around the blond ex-almost model next to me. I thought about how she probably wasn’t a model anymore because she had gotten too fat for it. He started talking again, “Are you talking to my woman here?”
I started to answer him and let him know that she initiated the conversation but he wasn’t hearing any of it and cut me off.
“You don’t say shit son!”
Now I could tell he was angry. A vein popped out of his forehead and he snorted at me, “You’re a no good god damned son of a bitch.”
“Look man I’m not…”
He grabbed me by the throat, choking me off and yanking me up from the bar stool. The only real thought that went through my head was that I was in quite a bit of pain right now and probably about to be in even more pain very shortly. His hand moved around to the back of my shirt and he pulled me the rest of the way out of my chair and drug me across the floor. I raised my hand as to order another drink; the bartender just stared with a blank expression and polished a glass.
We went through the bar and out the boring door and then out the saloon style doors and into the parking lot. One of the saloon style doors almost hit me while it swung back. Finally he let go of me and I was able to breathe for a second. Then he kicked me in the stomach and told me to get up. This giant mans logic must have been replaced by muscle because getting up was not the easiest or the best option, but it’s what he wanted and I did not want to get anymore on this guys bad side than I already was.
I stood up with one arm around my stomach and the other stretched out so that just in case he tried to rush me I might accidentally have the strength to fend him off. I got my footing once my eyes stopped spinning and I was able to see straight across the parking lot,with just enough time to see a big pasty peach colored brick shaped like a closed up hand come towards my face. It made contact with my upper jaw and nose and I flew up into the air for a minute and then was back on the ground again.
The landing actually hurt worse than the punch did, but the punch had done more damage. I was spitting up blood on the parking lot. I noticed a tooth had fallen out of my mouth and was sitting on the ground. I grabbed the tooth and stood up just as the lumberjack had grabbed me by my hair and pulled me back up. I slid the tooth into my pocket about the same time his fist came across my left eye. I fell to the ground again without him letting go of my hair. I didn’t bother trying to get up after that. I just lay there motionless, hoping that he would assume I was finished with and just leave.
Finally, after what seemed like an eternity the blond almost model came out and kissed him and they walked off together. Less than ten minutes ago I was convinced I was going to get laid and now I was just laying on the ground bleeding. I laughed a little bit at the irony of it all and watched them walk away. She did had a nice ass.
I waited awhile until after they left in case he decided to come back for more before I got up and walked back into the bar. I made my way to the men’s room and then took my missing tooth out and examined it for a bit. I was going to need a dentist to put it back in. The mirror told me that my face was smeared with blood and gravel and warned me that I should probably put an ice pack on my eye or it would swell up nice and big like an eggplant. I washed my face as best I could but the black eye and the busted nose and the swollen lip just wouldn’t wash away. The empty seat was still there once I left the bathroom so I went up and sat down.
“Are you all right?” The bartender asked me with some concern, “Do I need to call the cops or the hospital or anything?”
“No it’s fine,” I said, “just get me a whiskey.”
Interview with S. Smith
June 15, 2012 at 4:07 am (Interviews) (Author, gardening, inspiration, Interview, on writing, S. Smith, Seed Savers, series)
I’m excited to share with you all an interview with S. Smith, author of Seed Savers. The book is my top favorite pick for young adults this week, this month, this year, and possibly this decade. The interview may contain some spoilers.
1. This is quite a political statement, was that your intention?
Not so much. I think it was more about my love of good food. Seed Savers is a love story starring home-grown food. I love food—growing, harvesting, cooking, eating, and sharing it. And I think a lot of people these days maybe are missing out on that. I grew up on a small family farm and we always just ate what we grew, putting the fruit and veggies up for the winter and enjoying the goodness of how much better everything tasted than the “store kind.” Sure, politics obviously comes into the book, but it’s much more than that.
2. I read on your blog that Senate Bill S510, the Food Safety Modernization Act, inspired the story line. But what made you choose to tell the story through the eyes of children for children, instead of writing a piece more geared towards adults?
Actually, although I mention Senate Bill S510 as being the idea behind my story, I believe I wrote Seed Savers prior to hearing about it. I started writing Seed Savers in April of 2010, and most of the internet frenzy on the bill came out after that. I think a friend told me about the bill after reading a draft of my story—it’s hard for me to remember exactly. The inspiration for the book and the reason I wrote for children is covered in the blog titled “How It All Started”(May 2012).
3. There are many documentaries floating around about the habits of companies similarly described in the history of your futuristic world. Have you seen any of them? If so, which ones did you consider the most inspirational or informative? (I’d like to watch them.)
Here in Salem we enjoy the Salem Progressive Film Series, which is a “volunteer organization dedicated to educating and raising awareness of important current events.” They bring in great documentaries and speakers once a month. I have enjoyed going to many of these. I’ve watched movies on water, dirt, food, urban gardening, MONSANTO, etc. As mentioned in the “How It All Started” blog, Food, Inc. truly was a part of the inspiration for my book.
4. You must be a gardener! What are your favorite household ‘crops’? (Mine are lemon balm and rosemary – for the smell, of course.)
Oh my gosh. Well I do live right in the center of town, so I only have a very limited amount of space for my own little garden, but I do love growing tomatoes—I’ve been starting my own from seed for about the last four years—and yes, the fresh herbs are wonderful (cilantro, basil, sage, rosemary, thyme, parsely, dill, oregano….). I also have strawberries, raspberries, blueberries, and one boysenberry bush.
5. The lupines are a symbol of safety for the children during their flee from oppression to knowledge and fruitfulness (both literally and figuratively). Why the lupine? Does it hold special significance for you?
Well, I think that’s covered in the book. Mt. St. Helens is sort of in our backyard here in Oregon, so we get a lot of coverage about whatever is going on up there. I either heard on t.v. or read somewhere that lupines were the first plant life to come back after the devastation of the volcanic eruption and I jotted it down to use in my book. I still have the scrap of paper on which I wrote it down.
6. Seed Savers is reminiscent of titles like The Giver and Invitation to the Game. Do you often read dystopian society literature? What are your favorites?
The Giver is one of my favorites. I also really love Fahrenheit 451 and The House of the Scorpion.
7. Your book is peppered with verses from the Bible as well as symbols regarding Mother Earth. Do you mind me asking about your religious beliefs? What’s your life’s mission statement? (This is something I find particularly fascinating about writers in general, how C.S. Lewis’ beliefs seeped into The Chronicles of Narnia, the infrastructure of Orson Scott Card’s science fiction and that of Mormonism, and so on…)
“To act justly, love mercy, and walk humbly…” 🙂 I am a Christian, but more importantly, I had to be true to my characters. I didn’t want flat characters, and children at that age often do go to church and have strong beliefs. My two favorite books, Peace Like a River and The Secret Life of Bees, both have spiritual themes running through them. And let’s not forget that Twilight begins with a quote from Genesis.
I certainly hope the book can be viewed for all of its layers and not dismissed on account of some Bible verses.
8. When can we expect Book Two in your series? Have you written the whole series and just timing their releases or are you writing as you go? (I’m dying for the next installment already!)
Thanks! Book two, Lily, will probably be out sometime in August. It is completed and in the editorial process right now. Treasure will be available on Kindle devices soon (in process right now). I have not written the entire series yet, but do have a brief outline. I am currently about one quarter of the way through the first draft of book three.
9. The kids do a lot of traveling as they run away from home to Canada, in the last third of the book. Do you enjoy travel? Have you been to Canada? What are your favorite things about both your hometown and your favorite place to visit?
Is this a spoiler? Yes, I enjoy traveling a lot, but as I get older, I dislike flying more and more. I have been to Canada, but only British Columbia, not Quebec.
Oregon has often been referred to as “the Eden at the end of the Oregon Trail,” and for good reason. It is very green here, and we have gorgeous lakes, rivers, and forests. I live in the Willamette Valley, so when I go to a place without mountains in the horizon, it’s a bit disconcerting.
My favorite place to visit is Logan Pass on the Continental Divide at Glacier National Park in Montana. Even though I live in a valley, I absolutely love standing on the top of high places and looking down. 🙂
10. Is there anything you’d like to share about yourself or your work to your readers and fans that hasn’t already been discussed?
I think Seed Savers is very timely in regard to topics such as the urban garden movement, food deserts, childhood obesity, school gardens, etc. The science teacher at my school (who also has a gardening class) was very much of a help and encouragement to me as I was writing the story. We like the idea of kids having a novel to read in science or gardening class for that literacy tie-in. In regard to my writing process, I don’t always know what my characters are going to do next. They often surprise me as much as they might surprise you (perhaps even more so!) 🙂
Thank you for interview!
Interview With Author Tanya Egan Gibson
April 17, 2012 at 12:18 am (Interviews) (Author, Book Reviews, books, How to Buy a Love of Reading, tanya egan gibson)

Tanya Egan Gibson, photo from article: http://www.marinij.com/lifestyles/ci_12499312
I read How to Buy a Love of Readingby Tanya Egan Gibson at the very first of this year. What a great start to 2012! The book left me nonsensically speechless. It has really set a tone for all my 2012 reading and for how I want to grow my blog and develop the novel I have been working on for half my life. It set a standard for writing in general and for reviewing books and treating authors that I hope to live up to. I am thrilled to pieces to have Tanya Egan Gibson here with me today for a written blog interview, and I hope you enjoy what she has to say as much as I do.
- Fitzgerald is obviously a heavy influence for you, who else were among your first literary loves?
Kurt Vonnegut, for sure, in high school. Slaughterhouse-Five changed the way I thought about what a novel “should be.” C.S. Lewis in elementary school. I loved the Narnia books. I wanted a wardrobe. Oh, and between that, all of Conan Doyle’s Sherlock Holmes tales. I had a serious crush on Holmes—the more eccentricity the better.
I should probably clarify, too, that it took me a really long time to appreciate Fitzgerald. I didn’t like The Great Gatsby in high school or in college. It wasn’t until I was assigned to teach it at a high school in California that I saw it differently. One of my students asked, “So why is Daisy such a bee-atch?” Which snapped me out of concentrating on the book’s famous symbolism (The Green Light! The Eyes of Doctor T.J. Eckleburg!) and refocused me on the people (characters) and their desperation to be loved.
- My favorite part of HTBALOR is how raw Hunter comes across, how much his character development rings true. That’s rare for a female author to write a male character so well. Is he the character you identify with most? Or did you fall in love with him a little? (Admittedly, I did a little of both.)
As a lifetime watcher of shows like Beverly Hills 90210 (the original one) and its successors, I always found the rich-kid-who-lives-alone-in-a-posh-hotel-or-other-parentless-situation to be a cool trope. (Yeah, we can call it a stereotype, but the literary ring of “trope” sounds much more forgiving.) I’m fascinated by stereotypes because it seems to me that people (real people, not just characters) often end up becoming them of their own volition, giving up on some of their most interesting dimensions for the safety/security/ease of neatly defining themselves.
The rich-kid-who-lives-alone is nearly always a misunderstood “bad boy” who (when we meet him at, say, the beginning of a CW television series) is engaging in self-destructive behavior and has a mean streak. Usually, as the series progresses, the character cleans up his act (usually for the love of a good girl) and he learns to become a responsible person (with, perhaps, a couple of dips into recidivism when the ratings need a boost) and discovers his inner poet/artist/recycling advocate/vegan.
So, when I wrote Hunter, I kept wondering what such a character would be like the other way around: What if the character was originally a responsible, mature-beyond-his-years person who knew who he was? What if living alone with too much money and little supervision hadn’t turned him into a spoiled, self-destructive brat? What if he liked to cook and knew how to clean and didn’t act or feel embarrassed about being a book geek? What would it take for that character to end up turning himself into the self-destructive-kid-with-a-mean-streak stereotype? Looks. And being looked at.
I suppose that’s a long preface and I still haven’t answered your question—sorry! What fascinates me about Hunter is that being so highly visible (an overnight hottie who never meant to be a hottie) deprives him of being himself. He wants to be kind and gentle and loving and loved. At his core these—and privacy—are what he most values. But these aren’t qualities valued in an appearance-obsessed community or expected of him as the community’s golden child.
So many of the good things Hunter does for other people are quiet, under-the-radar, private. Yet he’s constantly getting the message from his parents and peers—and even his college application essay prompts–that nothing matters if people can’t see it. (Thank you, reality TV society.) So he kind of splits himself into public-Hunter and private-Hunter. And in so doing, unravels.
Which, finally, brings me to answering your question: Yeah, I probably understand Hunter the best out of my characters because he’s desperate to reshape his world into something lovely and full of love—and also made to feel embarrassed about such inclinations. Like private-Hunter, I’m hopelessly thin-skinned and I get crushes on authors (even dead ones) and I daydream about them being kind. I’m very self-conscious, an introvert who pretends to be an extrovert because I really like people and like to talk with them—even though they often scare me. I write about love and loveliness; I believe there is much love and loveliness in life waiting to be discovered. (I’ve been called a Pollyanna. To my face.) But I’m no longer embarrassed by it.
- It’s clear you have a love/hate obsession-like relationship with meta-fiction. It’s also clear how beautifully you write the layers of a book, like a rose in bloom or an onion being peeled. When you are writing, do you find that meta-fiction lends itself to these unfolding layers or does it work against it?
Yup, I wrote a novel that makes fun of meta-fiction while taking the form of meta-fiction. So yeah, I do both love and hate it. Oh, and thank you for the compliment. Back to the love-hate relationship: It’s complicated. Self-consciousness tends to get in the way of emotion. (Have you ever watched a play where one of the actors is supposed to say something like, “I swoon for you!” but is too embarrassed to go all the way with it, his self-consciousness turning it hollow?)
Meta-, of course, is about consciousness of self. But it also invites the reader backstage, saying, “Slip in behind the curtain. It’s okay, there’s room. Check out that actor’s insincerity!” Maybe this affords the reader the opportunity to observe up-close that the actor is shaking, and gives him or her clues to the emotion behind the hollow “I swoon for you.” Maybe the real story isn’t the play on the stage, but rather the story of why that actor is too terrified/nervous/exhausted/ill to embody the emotion of that line. So the question is whether it’s worth sacrificing the outer story (the story being played out onstage with the supposedly swoon-worthy damsel) to this inner story.
For me, the answer is sometimes, and only if I’m sure that the main narrative (swoon-worthy damsel) is ultimately deepened, emotionally, by that meta- jolt. When you go meta-, you’re sacrificing the readers’ waking dream—plucking them out of a world and then asking them to willingly reenter it. That’s a lot to ask.
The short answer to your question: I cut way more meta-material than I ever use.
- One of the characters, Bree McEnroy, writes a meta-novel. Do you have a favorite book from another author that fits this genre? If so, what is it and when did you first discover it?
Waterland, by Graham Swift, is one of my favorite books ever. I discovered it in graduate school, where my love-hate relationship with postmodernism and all things meta- broke down into way more hate than love. Waterland was assigned in a British Literature course I did, in fact, love–a respite from talking about literary theorists with difficult French names.
The novel is about a history teacher who is supposed to be teaching his students about the French Revolution. But who, because he’s sort of losing it, starts telling his students about his own personal history instead. Among other things, the book calls into question the difference (if any) between story and history.
- Your book references several fictional characters as authors and includes excerpts from their work. Do you have full manuscripts of these books lurking away somewhere? Like J.K.Rawling’s Tales of Beedle the Bard and Quidditch Through the Ages, do you have plans to publish these?
No full manuscripts exist of Between Scylla and Alta Vista or Unwritten. I promise. I did write small excerpts of them for my website, though, where a few pages of each of these books “exist” on a virtual bookshelf. In “Hunter’s journal” (on my website)—the story he wants to write about a girl and boy going on a ski trip in fact existed as a large flashback in an earlier draft of HTBALOR. (It was originally the story of how Hunter and Carley, the protagonist of HTBALOR, met. Later, it was replaced by a shorter flashback near the end of the book where they bond over an incident on the Long Island Sound.)
- As a writer, I dread asking this question (I have no idea if I will finish my own novel this year or this decade), but as a fan I am dying to know: when can we expect another book?
HTBALOR was published eight or nine years after I started writing it. I’m hoping the novel I’m currently writing (the working title is LANDS) won’t take quite that long. Like HTBALOR, it contains a meta- element, and getting all the layers of it to line up (while at the same time making each layer emotionally true to itself) is, as I indicated above, kind of tricky. Plus, I’m balancing writing with taking care of my two wonderful children, ages 7 and almost-4. One nice thing about LANDS: it takes place at a fictional theme park, so my children love coming along on amusement park research trips and think the pictures in my shelf full of amusement park research books are very cool.
- The cover art of the Dutton hardback edition, also featured on your website, is the reason I picked up your book. As a writer and art fanatic with a Bachelors in Marketing, I can’t help but wonder: Were you involved in picking out this art, or was it all Dutton? If so, what was your level of involvement?
Dutton chose the cover design and illustration, which were done by an artist named Ben Gibson (no relation). I think it’s beautiful, and I was particularly happy about the way the girl’s body. The spine of the book kind of becomes her spine, but the rest of her body seems to blend into/disappear into the couch. Weight is overly important in the fictional community of HTBALOR—the protagonist, according to the personal trainer hired by her mother, is 57 pounds overweight—and this rendering of Carley honors the conclusion of the book, in which the reader is never told what “size” she ends up.
- Does the cover art for this book represent your own art tastes? Who is your favorite artist? (Or what is your favorite piece?)
I’m kind of a Philistine when it comes to art. Not a three-dogs-playing-poker or velvet-Elvis glow-in-the-dark wall art Philistine—but still pretty unknowledgeable. (I did, at least, learn something from doing research for Bree’s never-to-be-completed book about art patronage.) I’m particularly fond of my seven-year-old daughter’s pastel rendering of two orange Amazon rainforest frogs and my three-year-old son’s multi-colored blob paintings that he insists are either trucks, dinosaurs, or me.
- Carley and Hunter are both only children. Did you have siblings growing up?
My brother wasn’t born until I was ten or eleven and we were raised in different households—after my parents divorced, my father remarried, so we’re half-sibs who were kind of each raised as only children. While it’s wonderful to have a sibling as an adult (my brother is very cool), I definitely wondered, as a child, what it would be like to have someone there to do things with. My daughter likes to tell people that my husband and I had her little brother “so I’ll always have someone to play with.” Which is not exactly untrue.
- What is one thing you want your readers and fans to know about you?
I love reading and writing so much, and feel unbelievably fortunate to have a book out there in the world. I love to write emails to authors when I enjoy their books, and when I receive emails/Facebook messages/Tweets from readers who connected emotionally with HTBALOR, it makes my day. Reading, for me, is all about connection, and when people take the time to tell me that my novel made them feel something, I’m thrilled beyond words.
Please follow Tanya Egan Gibson on Twitter @tanyaegangibson.
Follow this link to purchase How to Buy a Love of Reading.
Michael Goodell, Interview and Book Signing
March 16, 2012 at 8:24 pm (Events, Interviews, Reviews) (Author, Book Signing, books, Interview, Michael Goodell, reviews, zenith rising)
I met author Michael Goodell, Author of Zenith Rising, on shelfari.com a few years ago. I bought his book, eager to read a something published by someone who I actually got to interact with in a book club. I love getting to know authors along side their work and separate from their work, its fascinating to me, which is why I am a huge fan of reading biographies and memoirs after reading everything the author has written. I enjoy pairing fiction with nonfiction and finding the beautiful little seams that tie the two together. So imagine my excitement when, in addition to booking a signing with me, Michael Goodell agreed to do a blog interview as well!
Describe your book. What genre do you prefer it to be classified?
Zenith Rising is a work of mainstream fiction with a linear narrative function. It is set in a declining industrialized Midwesetern American city, and describes how a handful of characters respond to the city’s decline, including that of the protagonist, a real estate developer who, on the eve of his greatest triumph, is rudely confronted with the poverty in his city, and decides he must attempt to do something to try to save the city.
I prefer to use the term serious contemporary fiction to describe its genre. In other words, I don’t aspire to write literary fiction, because I think most literary fiction today employs tricks, slight of hand and technical flourishes. It is actually more a matter of showing off, or of trying to impress your creative writing teacher or seminar host. The view today is, bizarrely, “If it reads well, it can’t be literature.”
What were the major influences for you when writing this book and for you as a writer in general?
I was working with a nonprofit housing group, trying to arrest the downward spiral of poverty and despair through restoring housing. It was such a positive experience, meeting a compelling need, that I wanted to get the message out to a wider audience. I thought fiction would be the best way to go. The kind of fiction I like always has a message–not an overt one, but one conveyed through the story. Since the novel was based inDetroit, but I set it in the fictional city ofZenith, where Sinclair Lewis set Babbitt, I suppose you could say he was a major influence at the time. So was Hemingway, along with Paul Bowles and John Fante.
When and why did you begin writing?
I have always written, because, trite as it may sound, I had to.
What is the first book you remember reading?
I don’t remember the name, but it involved a pair of wooden skis, a hut, and a hill. I was very young.
Do you have a personal favorite out of the characters in your book? Who is it and why?
When I started it was Narrows Burton. By the time I finished it was Seneca Doane III. He started out as a villain, and, honestly, I never expected him to turn into one of the good guys.
How did you come across the artist featured on Zenith Rising’s cover?
I met Warren Dreher inSan Francisco. We were both working in the back office of a brokerage firm. He was a painter, I was a writer, and we got an apartment together, along with a third friend who played the saxophone. We used to dream about how our lives were likeParisin the 20’s. There were some nights when we would all be in our rooms working on our respective crafts, and it was beautiful. WhenWarrenpainted the cover painting, I told him I wanted it on the front page of my first novel. I never realized it would take 20 years, but eventually, it made it.
Did you learn anything from writing your book? What was it?
I learned that if your work is real the characters actually take over the story, as I mentioned with Doane above. I had a basic story line in my head, but the characters kept driving the plot. I suppose one thing I learned, then, is to get out of the way of the story, that if you are struggling with the plot it probably means you are trying to force the story somewhere it doesn’t want to go.
In your future ventures in the publishing world, what will you do differently? Why?
I won’t get published by PublishAmerica. I would rather not self-publish, which is basically what I ended up doing with PublishAmerica, even though they billed themselves as a legitimate publisher. At this late date I may end up having to self-publish though.
Tell me about your next book. How is it linked to Zenith Rising? When is it coming out?
The new book is called Rebound. It’s more of a straight murder mystery, or what I called a postmodern treatment of the hard-boiled detective novel. It came about as a “what if” response to a news article. I wrote 30 pages and then let it sit for ten years because I didn’t know where to go next. When I dusted it off and reread it, I was amazed that there were arrows pointing the way. So I wrote it. It’s set in Zenith, but involves entirely new characters, though some of the old ones make cameo appearances. Much more of the novel unfolds in the exclusive suburb ofWellingtonLakes, where the rich and powerful kill each other and break all the laws. It was fun to write. The dying city plays as big a role in this one, though not as a theme, merely as background. It will come out when I find a publisher, or decide to do it myself.
What’s one thing you would want your readers and fans to know about you?
Tough question. I was going to say that I’m honest, especially in relation to writing. I suppose, though, I should say I am passionate about the written word.
Read My Official Review of Zenith Rising
Interview Questions inspired by Ritesh Kala’s Book Reviews Blog











