Chris Rogers Talks About Emissary

March 6, 2015 at 9:17 pm (Interviews) (, , , , , , )

175496I’m a long time Chris Rogers fan.  I met her a few years ago booking signing for Half Price Books books and I’ve enjoyed reading her work, featuring her on my blog, and hanging out in bookstores with her ever since.  The following is an interview regarding her latest work, Emissary, which I read and reviewed toward the end of 2014.

1. Emissary is drastically different from your previous work in the Dixie Flannigan series, but I understand you started writing it first.   What was it like finally getting such a long term project completed?

The idea came to me just after I published the third Dixie Flannigan book, Chill Factor. I do a lot of driving, and this is often when I get the ideas I turn into stories. On a long trip to Wyoming I was sort of cursing the sun beaming emissarythrough my windshield no matter how I tried to block it, then reasoning that rain would be even worse, when I flashed on the idea of having no sun at all. What if our sun went supernova? We’d fry, right?

But our scientists would surely see it coming long before the actual event, so what would we do? Build spaceships and try to escape? But to where? And how could we possibly build enough ships for the world’s population?

After pondering that idea for a few miles, I flipped it. What if the supernova occurred to an inhabited planet in another solar system? They’re more advanced that we are, so they build ships and look for a planet that will take them in. One emissary is sent to Earth, where he becomes embroiled in our political and criminal problems. Naturally, I’d want the emissary to connect closely with an interesting individual, and I chose a cop.

I liked it, but when I pitched it to my agent, he said, “Can you do it without the alien?” So I continued writing the next Dixie Flannigan book. But the story stayed with me, and though I wrote others over the years, I kept coming back to this one. So yes, I love this story and it’s wonderful to have it finally launched so readers can enjoy it, too.

2. Emissary is so much bigger than the Dixie stories.   Dixie is sort of self contained, the impact is on her own life, the lives of the criminals, and the safety within her community; whereas Emissary involved a full cast of lives, cultures, and worlds.  Was this a more difficult writing task? Or  was it nice to stretch your wingspan a bit?

Not easy, I’ll admit, but a book I fell in love with as a child was Red Planet by Robert A. Heinlein, which is about a boy who attends school on Mars and takes his pet, Willis the Bouncer. So science fiction has been as dear to me as mysteries. When I envisioned Emissary Ruell, I knew he would be young (as most front-line soldiers are young) and inexperienced (since no Szhen had been in this situation before), and the whole “stranger in a strange land” feeling came to me. When I’m writing, I become the characters in my book, the good ones and the bad, so I envisioned how I would attempt to communicate the plight of my people, and also envisioned the difficulties I would encounter. Ruell would start with the “most powerful person in the free world,” which brings in American President Addison Hale. As with any novel, he can’t succeed on the first try, so he expands his efforts globally, which means the book also expands, because extraterrestrial emigration would be a global concern. Then, to rein in the story, I introduced Ruell to Officer Kirk Longshadow, who has his own problems, and they eventually create the “close community” feeling you mentioned, even as they pursue solving an international crime involving the president.

Tackling a story that exists on a broader canvas than my previous books challenged me on many levels. Considering the result, it was well worth the effort.

3. You did your own cover art, which I love by the way.   Was this painting done specifically for Emissary or did it merge as one project later?

I was poised to self-publish Emissary when I met Jeffrey Hastings, who was launching his Houston publishing company, Chart House Press. The book was finished except for the cover. The painting I chose was actually one of my early works, but the sleeping woman with blue skin resonated for me with Ruell’s girlfriend, Jianna, who appears in the book only in Ruell’s memory.

It seemed like a great starting place, yet I really didn’t know how to prevent it appearing as purely science fiction, when it’s more of political thriller with science fiction overtones. Once I decided to link my efforts with Chart House Press, I inherited a team who turned the painting into the final cover art, with an excellent result. Sometimes we get too close to a project, and fresh eyes can save the day.

4. I would love to see Emissary put to film.   (Despite what it may seem, I’m a huge science fiction nerd and one of my own long term projects is a time and space opera.)   If that were to happen, who would be in your ideal cast?   What director would you desire?   Do you have a favorite film score composer?   Would you want a lot of involvement or a little?

For Longshadow, I’d definitely choose David Giuntoli, who plays Nick Burkhardt on the TV series, Grimm. David doesn’t have the appearance of a “typical cop”, which fits Officer Longshadow, who often wonders why he ever thought he was cop material. David does have the toughness of a copy when he needs it, which Longshadow also has. Ruell would be harder to cast, but Neil Patrick Harris in his younger years as Doogie Howser, MD, would’ve been great. President Addison Hale is the third major character in the nuclear family of Emissary, and my choice would probably be Tea Leoni, who is terrific as Secretary of State on Madam Secretary.

And while I realize this is the expected answer to the choice of a director, it has to be Steven Spielberg. It’s not only that he’s an incredible director who makes excellent blockbuster movies but that his attitude about extraterrestrials is similar to mine. In most science fiction films, the aliens are bad guys who come here and make war, or we make war with them in space. I recently watched Close Encounters of the Third Kind again. No war, and I was as moved by it as when I first saw it in 1977. Yes, I know that dates me, but facts are facts.

As for musical score, I’d have to leave that to the experts, and being intricately involved in the film production would be terrific—but not likely. Hollywood likes to keep writers at a distance.

5. Now that you’ve emerged into the science fiction world, after being a long time mystery genre writer, are you here to stay?   (I look forward to reading more projects like this one.)

My early writing attempts were neither mystery nor sf. Back then, I didn’t believe I could plot the exciting and intricate stories I loved to read. So I started with children’s books, mistakenly thinking they’d be easy since I had four children. I was wrong. Then I tried the romance genre because I’d had a few romances in my life, whereas I’d never killed anyone and wasn’t a science nerd. Romance wasn’t easy, either and my stories kept being rejected for having “too much mystery.”

A diehard sf reader might say the same of Emissary, that it has “too much mystery,” but it’s a combination I enjoy, and it works for me. So yes, I plan to continue in this venue. For readers, Emissary opens the door to a world where humans interact with extraterrestrials, the way J.R.R. Tolkien created Middle-earth, Isaac Asimov created a world where robots with positronic brains dwell alongside humans, and J. K. Rowling created Hogwarts. Without giving

away the story, I can say that I planned Emissary as a trilogy, and the ending of this first book is the beginning of an exciting new future for the humans who dwell in that story world.

At present, I’m also working on a paranormal mystery about a 300-year-old pirate who runs his many times-refurbished ship today as a Caribbean cruise ship. Passengers attracted to a Molly Dore cruise always include at least one person with a dark paranormal problem that Captain Cord McKinsey helps resolve, despite the fact that he can’t cure his own curse of immortality. I started this story in 2011 and put it aside to work on Emissary. Now it’s scheduled for release in May 2015.

6. If you could interview any existing science fiction author and pick their brain, who would it be?   Did that author and their work influence Emissary in any way?

Sadly, I don’t read current sf, but my favorite sf author of all time is Harlan Ellison. He writes the sort of speculative fiction I enjoy. My first introduction to Ellison’s work was his short story, “A Boy and His Dog,” which first published in 1969 and was adapted into a film in 1975 by L.Q. Jones. I’m a feminist, and the story’s hero, 15-year-old Vic Blood, is a knuckle-dragging brute, but I still enjoyed the story. Many fans will know Ellison for his work on the original Star Trek series, his numerous Hugo- or Nebula Award-winning stories, his often caustic personality, which he demonstrated as Guest of Honor at the first AggieCon in 1969, or from his being the first author to win a copyright dispute against a major television network. In picking Ellison’s brilliant brain, I would come away with scars, but I’d still love to sit down with him for an hour or so.

As to whether Ellison’s work influenced Emissary, how can I judge? I’ve read literally thousands of stories and seen hundreds of movies, and all that material is muddled together somewhere in my consciousness. But no, I didn’t base Emissary on any author’s work. That’s not to say I don’t steal from the best when I fall in love with an idea or a great line. What author doesn’t?

7. What’s the main thought you would want readers to walk away from Emissary thinking?

This is the question I tell my students to consider early on in the process of writing a book, yet it’s a hard one to answer without sounding a bit full of myself. I suppose it’s this: people are complicated and wonderful and shouldn’t be pigeon-holed into any sort of group analysis. Each of us has value and heart but we also have a dark side that rises at times, and no one is without flaws, so stop throwing stones at strangers who are “different” and look for the wonder that each person can bring. On the other hand, remain watchful for the horrors that rise in certain malcontents, because they really are out there and can be devastating.

8. Do you plan to take Emissary to any sci-fi conventions in the future? (Say, Comicpalooza in May?)

I’m signed up for AggieCon 46, which happens March 27-29 2015 in College Station, Tx. Never having attended a science fiction convention, I’m a little scared.

9. What would you say to a graphic novelization of Emissary?

I grew up reading EC Comics, such as Vault of Horror and Tales From the Crypt, which I loved, so for me graphic novels are still comic books. I know there’s a difference. I have a copy of The Illustrated Harlan Ellison, which features several of his stories and was produced by Byron Preiss in 1978. It’s great. Some truly talented illustrators were selected for this graphic compilation, but I believe some of the stories converted well to graphic presentation while others didn’t. In that light, I don’t see Emissary as a graphic novel. But that’s just me.

10. Has the publication of Emissary opened any new doors for you as an author that were previously closed in the mystery genre?

Not yet. I’m not even sure which doors I’d knock on, but I’m open to whatever happens. Meanwhile, writing and painting continue to make me happy, and that’s what really counts.

On the other hand, Emissary is already available in print, e-book, and audio—which took much longer when I was associated with a major publisher. For me, that’s an important door, because it makes this big-format story that’s so dear to me available to more readers.

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Emissary

January 2, 2015 at 3:41 am (Reviews) (, , , , , , , )

emissary banner Title: Emissary

Author: Chris Rogers

Genre: Science Fiction Literature

Length: 434 pages

Sometimes being a reviewer is hard. That sounds silly, because I love it! But when you recognize a GOOD book and you can’t seem to get into it, it’s a little painful on the emotions.  (Just like I’ve recognized books as crap and managed to love every minute of them… that part is just painful on the ego.)  It’s even harder when you begin building recurring author/reviewer relationships, see these people face to face and have to tell them: It’s brilliant, but I couldn’t get into it.  I don’t get to hide behind the anonymity of a computer screen, I book these lovely people for signings and see them around.  I enjoy that I can’t hide, it perhaps makes me kinder.  But it does not make me any less honest.  In fact, it maybe keeps me more honest, because I know we’ll chat later and I know that my facial expressions never lie.  I’m the kind of person that can’t manage to tell a cancer patient that they’re looking good when they’re not.  I end up saying, “You look better than you have!” At which point, true story, they laugh and say, “Atleast you’re honest.”  My facial expressions could be the death of me.

Let me premise by saying: I am not copping out with a back handed compliment.  Emissary truly is brilliant! From a literary perspective, it’s Rogers’ best work. It has the most depth, the most importance.  I just couldn’t get into it. JadziaMaybe it’s exhaustion, the holidays, or the fact that I’m just not in the mood for so many characters, but I wanted to devour Chris Rogers’ latest title as I have done all her others – but I didn’t.  I plodded.  I got distracted.  Between readings I forgot whether Longshadow or President Hale was the leading character, and what their role in the story was.  Ruell and I weren’t communicating well and I kept wanting him to be more tangible like Dax from Star Trek: Deep Space Nine.  Every time Rogers mentioned a town or country or other world, I started thinking about geography and history books, space, and the milky way… I was reading science fiction and my mind kept grasping for non-fiction reading material.

Art by Chris Rogers

Art by Chris Rogers

I went total ADD on this book for nearly every page.  Every time Duarte made an appearance I found myself humming “Don’t cry for me Argentina” until I distracted myself out of the story yet again.  Like Ruell, I was feeling all sparky and in need of a host to anchor myself. I say it’s brilliant because I think there are a lot of discussion opportunities within its pages, both for reading groups and classrooms.  It felt like reading Kurt Vonneget for school with a little Nelson DeMille splashed on top.

I think it would make an excellent film if someone could write a worthy screenplay, but the story should be guarded protectively lest someone come and make a shotty job of it. (Think of how many ways Ender’s Game could have been ruined if someone other than Gavin Hood had tackled it.) Please give Emissary a go… then come back and discuss!  Also stay tuned for an interview with the author.

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