A Writing Circle Book Club

Years ago, I read a book about a writer’s circle. I was intrigued by it and I wrote a review: https://anakalianwhims.wordpress.com/2015/12/11/the-writing-circle/. I believe at the time I joined a Facebook group of writers I knew and we cheered each other on with word count posts and other such encouragements from the depths of cyberspace. I thanked them in the acknowledgements of one of my novels. They were great, don’t get me wrong, I appreciate their friendship and efforts — but it wasn’t a true writer’s group. Or at least not the one I imagine in my head.
I have never sat in a group with prepared writing and exchanged critiques that wasn’t an awkward pairing off in an English course over the literary merits of Sir Gawain and the Green Knight. Until this month.
Well, it’s just two of us. And we’ve only met once. It’s almost a bit more like a book club of people who write, maybe. But it spurred me on creatively and I’m very excited about it.

For our first meeting, we read Lost Among the Living as homework. The idea is to implement the concept Stephen King talks about in On Writing about having tools in your tool box. I write The Bookshop Hotel series, small town cozy with occasional mysterious interludes (also occasional funny and possibly more than occasional angst). My friend wants to write thrillers. Simone St. James writes somewhere in between, and creatively speaking, she added a few more tools to both our boxes.
Simone St. James nails plot points and pacing, something I tend to grasp and flail at. I typically tell people my books naturally flow like a French film where nothing much happens until my editors say, “Hey, you need a plot point here.” Even my grandmother keeps telling me to put a rat in the store or kill someone off. I have obediently placed “easter egg” mice throughout the story. I enjoyed Lost Among the Living more than I expected to, having chosen in for the purpose of reading it with others and gotten it for next to nothing, rather than for myself alone. It’s not something I would have picked up full price at Barnes & Noble prior to reading one of her titles. As soon as I was through, however, I ordered another of her books on Amazon to be delivered to my kindle. I plan to read it as soon as a cool front comes in. I think her books may best be devoured in front of the fire place.
In the meantime, I am halfway through writing the next two books in my series. If all goes well, I will be sending an anthology of shorts and a full length novel to my publisher in the next three months. I look forward to more “writing circle” meetings and what I can learn and share in them.
If you are a writer, what have been your favorite “tool box” books? (Top of my list is Madeleine L’engle’s Crosswick Journals.)
Plagiarism
Plagiarism sort of fascinates me. Mostly because I am a reader, I think. And as a reader I absorb.
I absorb thoughts, ideas, fairy tales, story lines, dialogue… and sometimes when I’m writing I find that I can’t remember if what I’m writing came from a dream I had, a book I read, or a an actual idea that I am actually formulating as my ink pours from my pen.
I am re-reading The Mortal Instruments series, and with a re-read comes more review reading, more research, because I no longer fear a spoiler. So long after the scandal, I discovered this morning that Cassandra Clare was accused of plagiarism on a fan fiction site for a Harry Potter spin-off series about Draco. Not only accused, but her account was cancelled because of it.
I’m not defending plagiarism, it’s not ok. The idea that someone would purposely just copy someone else’s work turns my stomach.
But what if it is purely accidental?
What if you have internalized a work so completely in your youth that as an adult an idea, dialogue, plot points, come to you so wholly formed and you recall that it was inspired by something, but not necessarily who or where the inspiration came from?
I can see that happening to me. I read so much as a child and I cannot remember it all, but I do have to say that I don’t think a single idea I’ve ever had could actually be attributed to myself. They aren’t my ideas. They are the ideas of those who came before me. They are the ideas that came from authors I loved, and characters who became my friends.
I distinctly remember writing a story once, I was maybe seventeen at the time, and I was so in love with it. I thought, man, I’m good – this story is fantastic. I re-read it, I worked on it avidly. Then I realized, about a month later, that it wasn’t mine. I was re-writing The Hero and the Crown by Robin McKinley. Perhaps slightly in my own words, but the essence of it was entirely hers and I was forced to throw it away.
It was the first time I became doubtful that I would ever publish anything. Until then, I had been completely convinced that no matter what happened in my life, I would at least become an author in some capacity. It was in my veins since the first time I picked up a book and could decode the letters that made words and sentences. I had been writing stories and ‘books’ since I could manage to scrawl out a readable letter with my number two pencil. But right then, as a teenager, I realized my biggest fear – that perhaps I didn’t have any words of my own. Perhaps they all came from elsewhere.
That is when I realized what the biggest challenge would be for me to become an author – writing something original. How do you sort through all that you’ve read, all that you love, and find something that doesn’t already belong to someone in some way?
Because of this, my novella doesn’t have much in the way of plot points. The characters came to me, yes. I can write their essence, yes. But ultimately, I am terrified of plot points. I feel like they’ve all been written before. But people, people are always capable of being their own. Characters are easier to write than plots, because I’m surrounded by characters – they live in my head. Plots, on the other hand, only live in books that have already been written. Real life doesn’t seem to consist of plots so I can’t rely on life to deliver inspiration that hasn’t already been had by someone.
Logical fallacies, of course. But that’s how I feel.
And I can’t help but wonder if Cassandra Clare felt the same way from time to time.
The Secret Keeper and Storytellers
Title:The Secret Keeper
Author: Kate Morton
Publisher: Atria Books
Genre: Fiction/ Historical Fiction
Length: 484 pages
I broke my Kate Morton rule. I read TWO Kate Morton novels in a 12 month period. And it was wonderful.
Forget my previously mentioned warnings to space out her books as long as it takes her to write them. This was a perfect winter read, she sucked me in – as always – and I found myself thinking it was her best piece since The Forgotten Garden. Don’t I say that every time?
I don’t just love Kate Morton as a reader, I find her inspiring as a writer. When everyone else is diving into NaNoWrMo – something I signed up for, but just really don’t get – I dive into Kate Morton and find that’s the push I need to get my own stories out of my head. (Same goes for Stephen King, that man really pushes my buttons and moves me to write.)
Semi side note: Is it just me or is NaNoWrMo distracting as all get out. I write 2k words a day on average – granted, not all usable, obviously – but every time I open an email for NaNoWrMo I find myself reading and sifting through a bunch of stuff and not getting ANY writing done at all. It’s fake motivation for me. It’s a complete and utter distraction. Like going to a pep rally. I’m more excited for a football game when I’m at the football game, but if you push me through the noise of a pep rally I just don’t feel like going anymore. SO counter productive.
You really want to be motivated to write? Read a good book. Read a really good book. Find someone who just moves you and you can’t help but think – I want to do that. Not exactly that, mind you, I want to write my own stuff. But I want to get a story out that moves people the way I’ve just been moved. Or excites people the way I’ve just been excited. The best motivation for a storyteller, I think, is to hear/read a good story.
Kate Morton’s stories are always good. No, not good, GREAT. She weaves through time with the skill of a T.A.R.D.I.S. and the hearts of a TimeLord. She is always a master of her chosen histories and reveals stories with an onion layer effect that always makes me giddy. The best moment of every one of her books is the, “I knew it!” moment. I love that she feeds you all the details but somehow leaves you thinking she might just surprise you – even though you don’t want to be surprised because you need to be right about this one detail that has dropped bread crumbs all over the story but hasn’t outright made itself obvious.
Even more than that, though, is Morton’s uncanny ability in every novel to write a character that feels so overly familiar to me. Or, if not familiar, someone I want to be familiar. The Secret Keeper had a lot of familiar faces from my real world.